Their drive home together brings us one of the film’s most poignant scenes – evidence of the close relationship developed between Bradley and Rich (described by Rich as “love at first sight”). Shot in slow motion by Nisa East, one of Bradley’s cinematographers, we watch Rich and Robert, their clothes now removed, eyes locked, in a moment of intimacy in the backseat – and apparently unaware of the camera. For Rich, a woman so in control of her own image, it is only time in the film she forgets herself.
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